Reading over the last few posts, I realized I’ve been focusing almost exclusively on how-to’s and haven’t included too many updates on the film itself. So here’s a brief post on the progress of the film itself.
If preproduction is training, and production is a sprint, then postproduction is best described as a marathon. You’re exerting a constant, slow effort, but you can’t overexert yourself. Rushing through post is nearly always a mistake.
Right now we’re about a little more than a month away from finishing. The Visual Effects Artist, Vickie Lazos, is doing a great job with a mix of shots – some very challenging boom removal shots, composites that were shot without greenscreen, and a few nifty touches that hopefully people won’t even realize are effects.
Verne Mattson, our colorist/conformist, is nearly done; he just has to grade the effects and titles. Quentin Chiappetta and his team at Media Noise are nearly done with the sound design – our mix date is mid-to-late August. For my part, I’m revising the titles and working on a last, stubborn insert shot.
I spend a good deal of time trying to think about the next steps – what festivals to apply to, who to potentially approach for distribution, what the poster should look like, etc. I confess that the social media explosion of the past few years baffles me. I know that I need to take greater advantage of it; however, I’m not sure if there’s a payoff at the end. Do Facebook fans turn into ticket buyers, DVD renters – or just bit torrent streamers? Does it prove to a distributor that you have an audience, or does it just mean you’re really good at marketing your film?
I’ve “liked” a bunch of films and do follow their posts, but it’s a very passive experience. When these films are finally done, will I go out and see them? I don’t know. I’d like to think so.
So I throw out this question: does social media campaigning have a good ROI (return on investment), or is it just one more thing you “have to have,” like a press kit or website?